Wopart

Richard Saltoun Gallery

41 Dover street, W1S 4NS, London

020 7637 1225

info@richardsaltoun.com

http://richardsaltoun.com

Richard Saltoun Gallery

Founded in 2012, Richard Saltoun Gallery is based in Mayfair, London. The gallery specialises in contemporary art, with an emphasis on Feminist, Conceptual and Performance artists from the 1960s onwards. It is guided by a strong focus on rediscovering the work of important yet underrecognized artists through presentations at its central location on Dover Street, a series of online exhibitions and participation in art fairs around the world. Since its inception, Richard Saltoun Gallery has been driven by an interest in serving a wider purpose and is now widely recognised for its critically and socially-engaged programme. In 2019, the gallery launched a year-long initiative titled 100% Women that aimed to address gender inequality in the art world. It is now a leader in its representation of female artists, from avant-garde pioneers of the 1960s and ‘70s, supported through extensive research, partnerships and solo presentations at the gallery and online.

Works

Francis Picabia

Janela do Caos, 1949 6 loose colour lithographs in red and 6 black and white lithographs included in the text, all signed in the plate and printed on d'Auvergne paper. Published by Imprimerie Union, Paris. Texts by Mendes. 25 x 32.5 cm Edition 31 of 220

Francis Picabia

Contre l'embarras, 1924 Signed and dated lower right: "Francis Picabia 1924" Inscribed lower left: "Contre l'embarras / de mon coeur qui a brisé la glace" Watercolor and pencil on paper Sheet: 33 x 25.4 cm

Greta Schödl

Untitled, c. 1980 Signed on the reverse Watercolour, pencil, gold leaf and ink on paper 46 x 30 cm

Greta Schödl

Untitled, 1978 Mixed media on paper 50 x 29 cm

Francis Picabia

Untitled (Visage du Femme), 1952 Signed and numbered on the front Lithograph Sheet: 36 x 26 cm Framed: 38 x 28 cm Edition 25 of 30

Greta Schödl

Untitled, 1990 c. Signed on front and on verso Gold leaf on canvas, with mixed media on handmade paper collaged on top 100 x 49 cm

Francis Picabia

Assortiment de Dessins de Francis Picabia, 1952 Signed in pencil (each) Two lithographs Left sheet: 10.5 x 9.6 cm Right sheet: 24.5 x 26 cm A few copies printed outside of the book published by Pierre-André Benoit

Francis Picabia

Pour et Contre, 1950 Signed lower right in ink Lithograph from Picabia's book 'Pour et Contre' published by Pierre-André Benoit Sheet: 12.5 x 16 cm A few copies printed outside of the book

Wopart virtual fair location

Richard Saltoun Gallery 15 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 3 Comments Off Leggi tutto

Studio d’Arte Campaiola

Works

Pino Pascali

13 - 1964-65 - stampa fotografica ai sali d'argento su carta - cm. 24x30

Pino Pascali

Aborigeno - 1964 - pittura su kodalith e cartoncino - cm. 25x35

Pino Pascali

Lucciola - 1964 - pastelli a cera su carta - cm. 22x28

Pino Pascali

Bazooka - 1964 - assemblaggio su tavola - cm. 33x64,5

Mimmo Rotella

Folate - 1954 - retro d'affiche su tela - cm. 23x19

Marino Marini

Cavallo e Cavaliere - 1953 - olio, gouache, penna e inchiostro su carta intelata - cm. 64,1x43,2

Giuseppe Capogrossi

Superficie G92 - 1954 - tempera su carta intelata - cm. 71x51

Lucio Fontana

Nudo femminile - 1960-64 - china nera su carta - cm. 100x70

Wopart virtual fair location

Studio d’Arte Campaiola 14 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 2 Comments Off Leggi tutto

Edition VFO

Works

Vanessa Billy

Mémoire Cellulaire (sanguine), 2019 / 2020, Photogravure, Edition of 20, Size: 60,00 cm x 49,00 cm, Production: Arno Hassler, Moutier, CHF 580.00

Patricia Bucher

Untitled, 2018, Kelim (woo,l: spun, dyed, woven) Edition of 7, Size: 220,00 cm x 150,00 cm, Production: Karavan Halicilik, Konya (Turkey), CHF 4200.00

Tony Cragg

Atmos & Trilobites, 1995, Lithographs, Edition of 60, Size: 76,00 cm x 56,00 cm each, Production: Urban Stoob, St. Gallen, CHF 1200.00

Philippe Decrauzat

A frame in a frame in a frame (Replica), 2019 (Triptych), Inkjet on Canson Rag and Passepartout, 3 Unique pieces out of a series of 22, Size: 69,00 cm x 52,00 cm each (framed), Production: PRO image service, Paris, CHF 2.500

Leiko Ikemura

Blauer Vogel auf dem Kopf, Haararm & Perlenfrau (Series), 1997, Lithograph, Edition of 40, Size: 53,00 cm x 38,00 cm, Production: Felix Bauer, Köln, CHF 1080.00

Richard Long

«River Mud on a Dugout», 2016/2019, Photolithograph and Offset on 210g Daunendruck-paper, Edition of 45, Size: 66,00 cm x 42,00 cm, Production: Thomi Wolfensberger, Zürich, CHF 860.00 (unframed) / CHF 1400.00 (framed)

Denis Savary

Figueras, 2019, Linocut on 70g Awagami Paper, Unique from a series of 7, Size: 185,00 cm x 96,00 cm, Production: Atelier Muro, Genève, CHF 2000.00

Marcel van Eeden

Portfolio "Cat. 2.8: Desserts" with seven works, Lithography, Edition of 35, Size: Between 38,00 cm x 28,00 cm and 19,00 x 28,00 cm, Production: Thomi Wolfensberger, Zürich, CHF 2400.00

Wopart virtual fair location

Edition VFO 14 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 5 Comments Off Leggi tutto

Raffaella De Chirico

Works

Manu Brabo

Ukranian kids around a table during an Orthodox mass, 2109, digital printing on photographic paper. Available in cm 60x40, cm 66,5x100, cm 93x140 , limited at 7 series each.

Eva Sorensen

Untitled, 1982, Indian Ink on paper, cm 70x102. Exhibited for 1982 Biennale di Venezia, Danish Pavillion, represented by Eva Sorensen

Tiziana e Gianni Baldizzone

Dangerous routes, Mongolia 2011, digital printing on photographic paper. Available in 60x40 cm, 66,5x100, cm 105x158 for a total series

Borje Tobiasson

Borie Tobiasson, winning of New York Metz, 1986, digital printing on photographic paper. Available sizes: cm 60x90, cm 74x110, cm 80x130, sieres of 7 pieces each

Carla Accardi

Senza titolo, 1954, black tempera on laid down paper, cm 23x33

Fabio Perino

Butterfly, Vanessa cardui butterly applied on paper, cm 40x40

Marco Gastini

Untitled, 1974, mixed media on paper, cm 55x77

Federica Patera & Andrea Sbra Perego

Strada Doris e Marlene, Cruna del lago, Via della Notte Stellata, 2017, digital printing and collage on paper, cm 50x70

Wopart virtual fair location

Raffaella De Chirico 13 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 2 Comments Off Leggi tutto

Glenda Cinquegrana Art Consulting

via Settembrini 17, 20124, Milan, Italy

+39 0249429104

+393497235046

info@glendacinquegrana.com

https://www.glendacinquegrana.com/

Glenda Cinquegrana Art Consulting

Founded in Milan in 2006, the gallery specializes in Modern and Contemporary art, with a focus on photography, limited editions, and innovative young talents.

Works

Pablo Picasso

Man holding a glass with a naked lover, Etching on Paper, 39 × 31 cm, Edition 33/50

Sonia Delaunay

Hèlice rouge, 1970 ca, Lithograph in colour, cm 73,7 x 53, ed. 74/75

Robert Indiana

The Garden of Love, Lily, 1982, Screenprint on Fabriano paper, Domberger Publ. ed. 25/100

Mario Schifano

Untiled, 1970 ca, Mixed media on paper on canvas, cm 100 x 70, unique

Davide Monteleone

River Ob, 2017, Giclée Print on Fine Art Bariyta 325 g, cm 40 x 50, ed.1/8

Helmut Newton

Beach Excercise,1975, vintage gelatin print, cm 30 x 40

Helmut Newton

Rosalyn at Arcangue, 1975, vintage gelatin print, cm 40 x 30

Helmut Newton

Rosalyn at Arcangue, 1975, vintage gelatin print, cm 40 x 30

Wopart virtual fair location

Glenda Cinquegrana 13 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 4 Comments Off Leggi tutto

Glenda Cinquegrana

Works

Wopart virtual fair location

Glenda Cinquegrana 13 Nov 2020 2020 Fiera Virtuale, Gallerie Comments Off Leggi tutto

MA-EC Gallery

Works

Feng Gao

Hallucination

Jianwei Yao

Impressions of Bridge Ke

Enmai

A woman on her back

Melina Clade

TN 17

Mengjie Huang

Elsewhere

Mina Bazari

Untitled 01

Jorge Cavelier

Monolito III

Gui Bin

2020-10-07

Wopart virtual fair location

MA-EC Gallery 13 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 3 Comments Off Leggi tutto

Galerie Carzaniga

Works

Julius Bissier

Monti 60.7i.1960, 1960, Egg oil tempera on gold leaf on linen, 21,5 x 26,5 cm, Signed, dated, titled lower left: Monti 60.7i/ Julius Bissier, Fr. 29'000.--

Sam Francis

Eight, 1986, Acrylic on solid parchment, 45,7 x 30,8 cm, Signed, dated and titled on the back: Sam Francis 1986 Eight, Fr. 78'000.--

Mark Tobey

Untitled, 1961, Tempera on paper, 33,5 x 25 cm, Fr. 115'000.--

Max Liebermann

Bildnis Lola Leder - Kopfstudie, 1920 Oil on canvas, 42 x 36,5 cm, Signed, dated upper left: M Liebermann 1920, Fr. 18'000.--

Francis Picabia

Untitled, n.y., Pencil drawing on paper, 17,5 x 13 cm LM, Signed lower left, Fr. 14'500.--

Walter Kurt Wiemken

Segen der Erde (Gesamtentwurf), 1931 Tempera, gold bronze and ink (pen) on paper, 58,5 x 75,5 cm, Inscription bottom right with tempera: Mosaik/Segen der Erde. NLST: 1931/1, Fr. 28'000.--

Christopher Lehmpfuhl

Winterlicht am Bodemuseum, 2020, Oil on canvas, 100 x 160 cm, Fr. 19'000.--

Banksy

Welcome Mat, 2019, Hand stitched welcome mat with fabric from life jackets, Edition 1000 copies, Copy 978/1000, 40 x 60 cm, Fr. 6'800.--

Wopart virtual fair location

Galerie Carzaniga 12 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 1 Comments Off Leggi tutto

SPAZIOFARINI6 _ fine art photography

Via Farini 6, 20154 Milano

Istagram: spaziofarini6

www.spaziofarini6.com

+390262086626

info@spaziofarini6.com

https://www.sfogliami.it/fl/213181/2579k882ms4q55z9psrg5ykdtyuqfd2#page/1

SPAZIOFARINI6 _ fine art photography

Founded in 2008 by Giovanna Lalatta, SPAZIOFARINI6 is a contemporary art gallery dedicated entirely to limited edition author photography. It offers a curated and exclusive selection of works of art for sale, together with a complete range of services for customers who wish to enrich their research in the world of photography. In fact, in addition to the classic exhibition, promotion and sale of photographic works of art, the gallery also offers a wide range of programs aimed at widening the dialogue on the role of photography in our society, including conferences, workshops, meetings with the author, book presentation, and also promotes artistic education for children and adolescents, building visual literacy with the aim of involving several new audiences. SPAZIOFARINI6 is a large exhibition space in the center of Milan, but also exhibits its artists all over the world by participating in fairs and international exchanges with other galleries.

Works

ANTONELLA SACCONI

The photographer Antonella Sacconi’s "Homo Faber" project, runs through an observation path of structures and details in contemporary architectures spread throughout the world. Her classical education allows her to find the "Ancient" in the "New" that feeds on those classical principles and internalizes them even where it seems to break every pattern and appear disharmonic. The author uses black and white because she wants the eye to focus on the lines and the structures rather than on the colour. She strips his buildings leaving only “naked shapes” (nude forme). The use of a human figure within her compositions, never in the foreground, sometimes reduced to a silhouette but perfectly inserted in the work, represents Man as the Homo Faber, at the same time architect and user of what he creates. These "Nude Forme" with their outlined appearance, look back at the Ancient which is always alive and become a red thread that guides and help us remind our roots and who we are.

FAUSTO MELI

A photograph starts off as a real scenario which, through a singular sequence of folds in time and light, becomes a poetic image on paper. Conversely, an origami figure starts life as a piece of paper which, through a remarkable sequence of folds, creates a three-dimensional poetic interpretation of the chosen subject. This project is aimed at weaving together these two visions, which start from distant viewpoints, but end up fusing into a new photographic image where the artefact is laid bare. In this project, I have taken still-life photographs of origami folded with Japanese (washi) paper using light that evokes the mood of the backdrop photograph, shot separately. I used the same kind of washi paper for both the origami and the final photographic print, to underline the relationship between the two worlds. The title of the work alludes to a childhood flight of fancy through the imaginary voyage made by a folded piece of paper, with the term voyage alluding to a sense of discovery.

PIER PAOLO FASSETTA

Everything goes back to its origins. Lost the traces of ancient civilizations, are the remains of architecture without history, built with photographic images recomposed to represent the vitality of nature, shaped by man, for inhabitants of mysterious places. Immersed in the density of a wild nature devoid of any trace of human life, they mark new presences in the contemplation of their decay. The few visible remains, returned by the photographic document, torn and reassembled, dry up over time, evoking for the remaining parts, the effort of living in a harsh confrontation between man and nature. The lack of a real archeology makes these inexplicable artifacts buried in the disturbing myth, where everything has the flavor of returning to a time where shrines were erected to benevolent gods. Photography helps us to go back to the origins by becoming a constructive form, losing its intrinsic communicative function to become part of a system of aggregation of primordial utility.

GIANNA SPIRITO

The echo of the architecture of the past that cyclically returns to mind and sight, is the subject of the work proposed here. Instead of the patina of the antique, a new film will highlight the already known connotations, highlighting the rigidity of the forms, the repetition of the elements but with a more current and engaging emotional filter, almost as if they were dream architecture. In fact, Dreams says the sign that rises over the photo of cinema-theater of Tresigallo. The artist projects us into her own world by superimposing the solid textures and the suggestions of color and graphics, leading to a reinterpretation of the architecture of the past.

BEBA STOPPANI

St Francis’s Wood is a series of photographs taken from 2010 to 2012 at a holy place that has always aroused devotion, located near Assisi, where St Francis and his brethren isolated themselves in prayer in a forest of holm oaks. St Francis’s Wood is not only a spiritual journey seeking to explore the natural world, it is also the manifestation of the spoliation of the aesthetic gaze. In her photographs, Stoppani progressively goes beyond the most mimetic aspects of the woods in order to isolate the vision, create transparencies, bundle things together, dissolve light effects, find aesthetic forms, draw mandalic figures and represent the present structures of the trees in a continuous dialogue between interior and exterior. The woods extend both upwards and downwards, vanishing into their complex inner life and obliging spectators to concentrate on contemplation.

Wopart virtual fair location

SPAZIOFARINI6 12 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 4 Comments Off Leggi tutto

galleria SPAZIOFARINI6 fine art photography

Via Carlo Farini 6, 20154 Milano ITALY info@spaziofarini6.com www.spaziofarini6.com

Catalog of the fair here: https://www.sfogliami.it/fl/211097/5muhh6zz3z9p1g2pe47sgp1huycm6pk

0039 0262086626

info@spaziofarini6.com

https://www.sfogliami.it/fl/211097/5muhh6zz3z9p1g2pe47sgp1huycm6pk

galleria SPAZIOFARINI6 fine art photography

Founded in 2008 by Giovanna Lalatta, SPAZIOFARINI6 is a contemporary art gallery dedicated entirely to limited edition author photography. It offers a curated and exclusive selection of works of art for sale, together with a complete range of services for customers who wish to enrich their research in the world of photography. In fact, in addition to the classic exhibition, promotion and sale of photographic works of art, the gallery also offers a wide range of programs aimed at widening the dialogue on the role of photography in our society, including conferences, workshops, meetings with the author, book presentation, and also promotes artistic education for children and adolescents, building visual literacy with the aim of involving several new audiences. SPAZIOFARINI6 is a large exhibition space in the center of Milan, but also exhibits its artists all over the world by participating in fairs and international exchanges with other galleries.

Works

Antonella Sacconi

The photographer Antonella Sacconi’s "Homo Faber" project, runs through an observation path of structures and details in contemporary architectures spread throughout the world. Her classical education allows her to find the "Ancient" in the "New" that feeds on those classical principles and internalizes them even where it seems to break every pattern and appear disharmonic. The author uses black and white because she wants the eye to focus on the lines and the structures rather than on the colour. She strips his buildings leaving only “naked shapes” (nude forme). The use of a human figure within her compositions, never in the foreground, sometimes reduced to a silhouette but perfectly inserted in the work, represents Man as the Homo Faber, at the same time architect and user of what he creates. These "Nude Forme" with their outlined appearance, look back at the Ancient which is always alive and become a red thread that guides and help us remind our roots and who we are.

Pier Paolo Fassetta

Everything goes back to its origins. Lost the traces of ancient civilizations, are the remains of architecture without history, built with photographic images recomposed to represent the vitality of nature, shaped by man, for inhabitants of mysterious places. Immersed in the density of a wild nature devoid of any trace of human life, they mark new presences in the contemplation of their decay. The few visible remains, returned by the photographic document, torn and reassembled, dry up over time, evoking for the remaining parts, the effort of living in a harsh confrontation between man and nature. The lack of a real archeology makes these inexplicable artifacts buried in the disturbing myth, where everything has the flavor of returning to a time where shrines were erected to benevolent gods. Photography helps us to go back to the origins by becoming a constructive form, losing its intrinsic communicative function to become part of a system of aggregation of primordial utility.

Gianna Spirito

The echo of the architecture of the past that cyclically returns to mind and sight, is the subject of the work proposed here. Instead of the patina of the antique, a new film will highlight the already known connotations, highlighting the rigidity of the forms, the repetition of the elements but with a more current and engaging emotional filter, almost as if they were dream architecture. In fact, Dreams says the sign that rises over the photo of cinema-theater of Tresigallo. The artist projects us into her own world by superimposing the solid textures and the suggestions of color and graphics, leading to a reinterpretation of the architecture of the past.

Beba Stoppani

St Francis’s Wood is a series of photographs taken from 2010 to 2012 at a holy place that has always aroused devotion, located near Assisi, where St Francis and his brethren isolated themselves in prayer in a forest of holm oaks. St Francis’s Wood is not only a spiritual journey seeking to explore the natural world, it is also the manifestation of the spoliation of the aesthetic gaze. In her photographs, Stoppani progressively goes beyond the most mimetic aspects of the woods in order to isolate the vision, create transparencies, bundle things together, dissolve light effects, find aesthetic forms, draw mandalic figures and represent the present structures of the trees in a continuous dialogue between interior and exterior. The woods extend both upwards and downwards, vanishing into their complex inner life and obliging spectators to concentrate on contemplation.

Wopart virtual fair location

SPAZIOFARINI6 12 Nov 2020 2020 Fiera Virtuale, Gallerie, Padiglione 4 Comments Off Leggi tutto