Glenda Cinquegrana Art Consulting

via Settembrini 17, 20124, Milan, Italy
+39 0249429104
+393497235046
info@glendacinquegrana.com
https://www.glendacinquegrana.com/

Glenda Cinquegrana Art Consulting

Founded in Milan in 2006, the gallery specializes in Modern and Contemporary art, with a focus on photography, limited editions, and innovative young talents.

Works

Pablo Picasso
Man holding a glass with a naked lover, Etching on Paper, 39 × 31 cm, Edition 33/50
Sonia Delaunay
Hèlice rouge, 1970 ca, Lithograph in colour, cm 73,7 x 53, ed. 74/75
Robert Indiana
The Garden of Love, Lily, 1982, Screenprint on Fabriano paper, Domberger Publ. ed. 25/100
Mario Schifano
Untiled, 1970 ca, Mixed media on paper on canvas, cm 100 x 70, unique
Davide Monteleone
River Ob, 2017, Giclée Print on Fine Art Bariyta 325 g, cm 40 x 50, ed.1/8
Helmut Newton
Beach Excercise,1975, vintage gelatin print, cm 30 x 40
Helmut Newton
Rosalyn at Arcangue, 1975, vintage gelatin print, cm 40 x 30
Helmut Newton
Rosalyn at Arcangue, 1975, vintage gelatin print, cm 40 x 30

Wopart virtual fair location

  Glenda Cinquegrana   13 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on Glenda Cinquegrana Art Consulting Leggi tutto

SPAZIOFARINI6 _ fine art photography

Via Farini 6, 20154 Milano
Istagram: spaziofarini6
www.spaziofarini6.com
+390262086626
info@spaziofarini6.com
https://www.sfogliami.it/fl/213181/2579k882ms4q55z9psrg5ykdtyuqfd2#page/1

SPAZIOFARINI6 _ fine art photography

Founded in 2008 by Giovanna Lalatta, SPAZIOFARINI6 is a contemporary art gallery dedicated entirely to limited edition author photography. It offers a curated and exclusive selection of works of art for sale, together with a complete range of services for customers who wish to enrich their research in the world of photography. In fact, in addition to the classic exhibition, promotion and sale of photographic works of art, the gallery also offers a wide range of programs aimed at widening the dialogue on the role of photography in our society, including conferences, workshops, meetings with the author, book presentation, and also promotes artistic education for children and adolescents, building visual literacy with the aim of involving several new audiences. SPAZIOFARINI6 is a large exhibition space in the center of Milan, but also exhibits its artists all over the world by participating in fairs and international exchanges with other galleries.

Works

ANTONELLA SACCONI
The photographer Antonella Sacconi’s "Homo Faber" project, runs through an observation path of structures and details in contemporary architectures spread throughout the world. Her classical education allows her to find the "Ancient" in the "New" that feeds on those classical principles and internalizes them even where it seems to break every pattern and appear disharmonic. The author uses black and white because she wants the eye to focus on the lines and the structures rather than on the colour. She strips his buildings leaving only “naked shapes” (nude forme). The use of a human figure within her compositions, never in the foreground, sometimes reduced to a silhouette but perfectly inserted in the work, represents Man as the Homo Faber, at the same time architect and user of what he creates. These "Nude Forme" with their outlined appearance, look back at the Ancient which is always alive and become a red thread that guides and help us remind our roots and who we are.
FAUSTO MELI
A photograph starts off as a real scenario which, through a singular sequence of folds in time and light, becomes a poetic image on paper. Conversely, an origami figure starts life as a piece of paper which, through a remarkable sequence of folds, creates a three-dimensional poetic interpretation of the chosen subject. This project is aimed at weaving together these two visions, which start from distant viewpoints, but end up fusing into a new photographic image where the artefact is laid bare. In this project, I have taken still-life photographs of origami folded with Japanese (washi) paper using light that evokes the mood of the backdrop photograph, shot separately. I used the same kind of washi paper for both the origami and the final photographic print, to underline the relationship between the two worlds. The title of the work alludes to a childhood flight of fancy through the imaginary voyage made by a folded piece of paper, with the term voyage alluding to a sense of discovery.
PIER PAOLO FASSETTA
Everything goes back to its origins. Lost the traces of ancient civilizations, are the remains of architecture without history, built with photographic images recomposed to represent the vitality of nature, shaped by man, for inhabitants of mysterious places. Immersed in the density of a wild nature devoid of any trace of human life, they mark new presences in the contemplation of their decay. The few visible remains, returned by the photographic document, torn and reassembled, dry up over time, evoking for the remaining parts, the effort of living in a harsh confrontation between man and nature. The lack of a real archeology makes these inexplicable artifacts buried in the disturbing myth, where everything has the flavor of returning to a time where shrines were erected to benevolent gods. Photography helps us to go back to the origins by becoming a constructive form, losing its intrinsic communicative function to become part of a system of aggregation of primordial utility.
GIANNA SPIRITO
The echo of the architecture of the past that cyclically returns to mind and sight, is the subject of the work proposed here. Instead of the patina of the antique, a new film will highlight the already known connotations, highlighting the rigidity of the forms, the repetition of the elements but with a more current and engaging emotional filter, almost as if they were dream architecture. In fact, Dreams says the sign that rises over the photo of cinema-theater of Tresigallo. The artist projects us into her own world by superimposing the solid textures and the suggestions of color and graphics, leading to a reinterpretation of the architecture of the past.
BEBA STOPPANI
St Francis’s Wood is a series of photographs taken from 2010 to 2012 at a holy place that has always aroused devotion, located near Assisi, where St Francis and his brethren isolated themselves in prayer in a forest of holm oaks. St Francis’s Wood is not only a spiritual journey seeking to explore the natural world, it is also the manifestation of the spoliation of the aesthetic gaze. In her photographs, Stoppani progressively goes beyond the most mimetic aspects of the woods in order to isolate the vision, create transparencies, bundle things together, dissolve light effects, find aesthetic forms, draw mandalic figures and represent the present structures of the trees in a continuous dialogue between interior and exterior. The woods extend both upwards and downwards, vanishing into their complex inner life and obliging spectators to concentrate on contemplation.

Wopart virtual fair location

  SPAZIOFARINI6   12 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on SPAZIOFARINI6 _ fine art photography Leggi tutto

galleria SPAZIOFARINI6 fine art photography

Via Carlo Farini 6, 20154 Milano ITALY info@spaziofarini6.com www.spaziofarini6.com
Catalog of the fair here: https://www.sfogliami.it/fl/211097/5muhh6zz3z9p1g2pe47sgp1huycm6pk
0039 0262086626
info@spaziofarini6.com
https://www.sfogliami.it/fl/211097/5muhh6zz3z9p1g2pe47sgp1huycm6pk

galleria SPAZIOFARINI6 fine art photography

Founded in 2008 by Giovanna Lalatta, SPAZIOFARINI6 is a contemporary art gallery dedicated entirely to limited edition author photography. It offers a curated and exclusive selection of works of art for sale, together with a complete range of services for customers who wish to enrich their research in the world of photography. In fact, in addition to the classic exhibition, promotion and sale of photographic works of art, the gallery also offers a wide range of programs aimed at widening the dialogue on the role of photography in our society, including conferences, workshops, meetings with the author, book presentation, and also promotes artistic education for children and adolescents, building visual literacy with the aim of involving several new audiences. SPAZIOFARINI6 is a large exhibition space in the center of Milan, but also exhibits its artists all over the world by participating in fairs and international exchanges with other galleries.

Works

Antonella Sacconi
The photographer Antonella Sacconi’s "Homo Faber" project, runs through an observation path of structures and details in contemporary architectures spread throughout the world. Her classical education allows her to find the "Ancient" in the "New" that feeds on those classical principles and internalizes them even where it seems to break every pattern and appear disharmonic. The author uses black and white because she wants the eye to focus on the lines and the structures rather than on the colour. She strips his buildings leaving only “naked shapes” (nude forme).
The use of a human figure within her compositions, never in the foreground, sometimes reduced to a silhouette but perfectly inserted in the work, represents Man as the Homo Faber, at the same time architect and user of what he creates. These "Nude Forme" with their outlined appearance, look back at the Ancient which is always alive and become a red thread that guides and help us remind our roots and who we are.
Pier Paolo Fassetta
Everything goes back to its origins. Lost the traces of ancient civilizations, are the remains of architecture without history, built with photographic images recomposed to represent the vitality of nature, shaped by man, for inhabitants of mysterious places. Immersed in the density of a wild nature devoid of any trace of human life, they mark new presences in the contemplation of their decay. The few visible remains, returned by the photographic document, torn and reassembled, dry up over time, evoking for the remaining parts, the effort of living in a harsh confrontation between man and nature. The lack of a real archeology makes these inexplicable artifacts buried in the disturbing myth, where everything has the flavor of returning to a time where shrines were erected to benevolent gods. Photography helps us to go back to the origins by becoming a constructive form, losing its intrinsic communicative function to become part of a system of aggregation of primordial utility.
Gianna Spirito
The echo of the architecture of the past that cyclically returns to mind and sight, is the subject of the work proposed here. Instead of the patina of the antique, a new film will highlight the already known connotations, highlighting the rigidity of the forms, the repetition of the elements but with a more current and engaging emotional filter, almost as if they were dream architecture. In fact, Dreams says the sign that rises over the photo of cinema-theater of Tresigallo. The artist projects us into her own world by superimposing the solid textures and the suggestions of color and graphics, leading to a reinterpretation of the architecture of the past.
Beba Stoppani
St Francis’s Wood is a series of photographs taken from 2010 to 2012 at a holy place that has always aroused devotion, located near Assisi, where St Francis and his brethren isolated themselves in prayer in a forest of holm oaks. St Francis’s Wood is not only a spiritual journey seeking to explore the natural world, it is also the manifestation of the spoliation of the aesthetic gaze. In her photographs, Stoppani progressively goes beyond the most mimetic aspects of the woods in order to isolate the vision, create transparencies, bundle things together, dissolve light effects, find aesthetic forms, draw mandalic figures and represent the present structures of the trees in a continuous dialogue between interior and exterior. The woods extend both upwards and downwards, vanishing into their complex inner life and obliging spectators to concentrate on contemplation.

Wopart virtual fair location

  SPAZIOFARINI6   12 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on galleria SPAZIOFARINI6 fine art photography Leggi tutto

Artrust

Artrust

Works

Bengt Lindström
"Visage" by Bengt Lindström. This artwork is an acrylic on canvas. It is signed. The artwork dimensions are 38,00 cm x 46,00 cm.
Marianne Werefkin
"In riva al lago" by Marianne Werefkin, dated 1920. This artwork is pastel and gouache on paper. The artwork dimensions are 32,00 cm x 24,00 cm.
Italo Valenti
"Tirreno” by Italo Valenti, dated 1968. This artwork is an oil on canvas. It is signed. The artwork dimensions are 27,00 cm x 41,00 cm.
Niki De Saint Phalle
“Méchant méchant” by Niki De Saint Phalle, dated 1993. This artwork is a mixed technique and assembly on wood. Edition 245/250. It is signed. The artwork dimensions are 43,00 cm x 42,00 cm.
Nevercrew
“Black machine” by Nevercrew, dated 2015. This artwork is a spray and stencil on paper. It is signed. The artworks dimensions are 70,00 cm x 70,00 cm.
Banksy
“Happy Choppers” by Banksy, dated 2003. This artwork is a colored serigraph on paper. It is signed. The artwork dimensions are 70,00 cm x 50,00 cm. Accompanied by the Pest Control Certificate.

Wopart virtual fair location

  Artrust   11 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on Artrust Leggi tutto

Creatini & Landriani

P.tta Marcello Rizzi, 16 - Sestri Levante (GE)
http://creatinilandriani.it

Creatini & Landriani

Situata nel cuore di Sestri Levante, vicinissima alla Baia del Silenzio, la Galleria CREATINI&LANDRIANI è un ideale punto di incontro fra il mare, la pianura e la montagna, dove si rinnova lo storico legame artistico e culturale fra Liguria e Lombardia, uno spazio dedicato ai dipinti, alle sculture e ai disegni antichi e moderni dal XV al XX secolo. Attrarre le nuove generazioni verso l'arte antica, coniugando cultura, mercato e passione in un percorso di accompagnamento e cura dei collezionisti: questo il nostro obiettivo principale, unito al desiderio di far emergere in ciascuna opera la capacità di evocare emozioni in accordo con il nostro tempo. La qualità, la bellezza, la patina del tempo e la forza dell'esecuzione sono il principio ispiratore di ogni nostra scelta.

Works

Scuola Bolognese XVII sec.
Giudizio Universale - penna e inchiostro bruno - 208x280 mm.
Paolo Borsa (Milano, 1827-1912)
Nudo virile seduto - matita e inchiostro nero - 284x192 mm.
Pietro Aquila (Marsala, 1630 ca. - Alcamo, 1692)
San Gerolamo nel deserto - acquaforte - 190x137 mm.
Llewelyn Lloyd (Livorno, 1879 - Firenze 1949)
Nudo femminile di spalle - litografia - 540x380 mm.

Wopart virtual fair location

  Creatini & Landriani   06 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on Creatini & Landriani Leggi tutto

Creatini & Landriani

P.tta Marcello Rizzi, 16 - Sestri Levante (GE)
http://creatinilandriani.it

Creatini & Landriani

Situata nel cuore di Sestri Levante, vicinissima alla Baia del Silenzio, la Galleria CREATINI&LANDRIANI è un ideale punto di incontro fra il mare, la pianura e la montagna, dove si rinnova lo storico legame artistico e culturale fra Liguria e Lombardia, uno spazio dedicato ai dipinti, alle sculture e ai disegni antichi e moderni dal XV al XX secolo. Attrarre le nuove generazioni verso l'arte antica, coniugando cultura, mercato e passione in un percorso di accompagnamento e cura dei collezionisti: questo il nostro obiettivo principale, unito al desiderio di far emergere in ciascuna opera la capacità di evocare emozioni in accordo con il nostro tempo. La qualità, la bellezza, la patina del tempo e la forza dell'esecuzione sono il principio ispiratore di ogni nostra scelta.

Works

Scuola Bolognese XVII sec.
Giudizio Universale - penna e inchiostro bruno - 208x280 mm.
Paolo Borsa (Milano, 1827-1912)
Nudo virile seduto - matita e inchiostro nero - 284x192 mm.
Pietro Aquila (Marsala, 1630 ca. - Alcamo, 1692)
San Gerolamo nel deserto - acquaforte - 190x137 mm.
Llewelyn Lloyd (Livorno, 1879 - Firenze 1949)
Nudo femminile di spalle - litografia - 540x380 mm.
Carlo Antonio Tavella (Milano, 1668 - Genova, 1738)
Paesaggio con viandanti in riposo - penna e inchiostro bruno - 200x265 mm.

Wopart virtual fair location

  Creatini & Landriani   06 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on Creatini & Landriani Leggi tutto

P420

Via Azzo Gardino, 9, 40122 Bologna Italia
+39 051 4847957
+39 320 5635213
info@p420.it
http://www.p420.it/

P420

P420 viene fondata a Bologna nel 2010 da Alessandro Pasotti e Fabrizio Padovani e si trova nella sede di Via Azzo Gardino dal Gennaio 2016. Presentando artisti di generazioni anche molto lontane, P420 intende mettere a confronto linguaggi appartenenti a periodi diversi con l’intenzione di farne sempre emergere gli aspetti di attualità. P420 collabora direttamente con gli artisti o, eventualmente, con gli eredi o le Fondazioni che li rappresentano.

P420 was founded in Bologna in 2010 by Alessandro Pasotti and Fabrizio Padovani, and is located at Via Azzo Gardino since January 2016. Working with artists from even widely separate generations, P420 examines the relations between languages belonging to different periods, with the aim of bringing out their continuously timely pertinence. P420 collaborates directly with the artists, or with their heirs and the foundations that represent them.

Works

Irma Blank
Radical Writings, Exercitium vom 19/4 ‘89, 1989, acrilico su cartoncino/acrylic on card, cm.24,8x32,2
Irma Blank
Trascrizioni, In due, 1975, china su carta pergamenata/indian ink on parchment like paper, 2 pagine/pages, cm.15x9,5 cad/each (cm.15x19 totali/overall)
Antonio Calderara
Senza titolo/Untitled, 1968, acquerello su carta/watercolor on paper, cm. 20x18,8
Hanne Darboven
Untitled/Senza titolo, 1975, pennarello su carta/felt pen on paper, trittico/triptych, cm.29,4x21 cad/each/ (cm.29,4x63 totali/overall)

Wopart virtual fair location

  P420   04 Nov 2020   Gallerie, Padiglione 4   Comments Off on P420 Leggi tutto

P420

Via Azzo Gardino, 9, 40122 Bologna Italia
+39 051 4847957
+39 320 5635213
info@p420.it
http://www.p420.it/

P420

P420 viene fondata a Bologna nel 2010 da Alessandro Pasotti e Fabrizio Padovani e si trova nella sede di Via Azzo Gardino dal Gennaio 2016. Presentando artisti di generazioni anche molto lontane, P420 intende mettere a confronto linguaggi appartenenti a periodi diversi con l’intenzione di farne sempre emergere gli aspetti di attualità. P420 collabora direttamente con gli artisti o, eventualmente, con gli eredi o le Fondazioni che li rappresentano.

P420 was founded in Bologna in 2010 by Alessandro Pasotti and Fabrizio Padovani, and is located at Via Azzo Gardino since January 2016. Working with artists from even widely separate generations, P420 examines the relations between languages belonging to different periods, with the aim of bringing out their continuously timely pertinence. P420 collaborates directly with the artists, or with their heirs and the foundations that represent them.

Works

Irma Blank
Radical Writings, Exercitium vom 19/4 ‘89, 1989, acrilico su cartoncino/acrylic on card, cm.24,8x32,2
Irma Blank
Trascrizioni, In due, 1975, china su carta pergamenata/indian ink on parchment like paper, 2 pagine/pages, cm.15x9,5 cad/each (cm.15x19 totali/overall)
Antonio Calderara
Senza titolo/Untitled, 1968, acquerello su carta/watercolor on paper, cm. 20x18,8
Hanne Darboven
Untitled/Senza titolo, 1975, pennarello su carta/felt pen on paper, trittico/triptych, cm.29,4x21 cad/each/ (cm.29,4x63 totali/overall)

Wopart virtual fair location

  P420   04 Nov 2020   2020 Fiera Virtuale, Gallerie, Padiglione 4   Comments Off on P420 Leggi tutto

Salamon Fine Art

Palazzo Cicogna, Via San Damiano, 2, 20122 Milano
M. +39 335 5894218
T. +30 02 76 01 31 42
gallery@salamonfineart.com
http://www.salamonfineart.com

Salamon Fine Art

Starting in 1986, Lorenza Salamon has been collecting the family tradition, gallerists since 1950, developing the already established master prints gallery. She has been feeding the old, modern and contemporary prints sector with exhibitions of commercial and cultural interest; also under the aegis of the Federica Galli Foundation which, by her will in 2009, puts her at the head of the institution. In 2010 she wrote the book "How to see fine prints" (also available a French and Chinese version), published by Mondadori Arte. Since 1992 she has added to the traditional interests of the gallery a figurative contemporary fine art department that supports and promotes talented painters, sculptors, printmakers, emerging and established ones. And promotes artists through a continuous action of artistic, cultural, institutional and commercial enhancement. The twenty-year relationship with the extraordinary painter Marzio Tamer has fostered further specialisation in nature and wildlife art.

Works

Marzio Tamer, living painter born in 1964
Facing the booth you can see "Camozza": watercolor on Arches paper, mounted on canvas, cm 83,5 x 59,5
Andrea Mantegna, attributed to; Francisco Goya; Hokusai; Albrecht Dürer; Rembrandt.
A fine prints selection from the art gallery nestled in Milan. Exhibition: 2019 WopArt edition.
Marzio Tamer, living artist born in 1964.
Summer wolf has been painted on august 2020. Wolves are the most desiderable subjects by Marzio Tamer.
Jacques Callot
Sfessania complete serie of 24 etchings.

Wopart virtual fair location

  Salamon Fine Art   02 Nov 2020   Gallerie, Padiglione 4   Comments Off on Salamon Fine Art Leggi tutto
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