CHIASSO, Switzerland: Alberto Giacometti: graphics on the border between art and thought, until January 10, 2021

CHIASSO, Switzerland: Alberto Giacometti: graphics on the border between art and thought, until January 10, 2021.

Alberto Giacometti, one of the most important artists of the twentieth century, is celebrated above all as a sculptor and painter. Yet it is also well-known that he drew everywhere and all the time. This activity, this “writing” through the sign (graphein) contributed to break up the system of representation into a continuous aesthetic and conceptual exploration. And in his lifetime he produced many graphic works, the expression of his profound artistic research, yet one that was less visible than sculpture and painting.

For this reason, the m.a.x. museo in Chiasso considers it important to give due value to its significance and exhibit the body of Giacometti’s graphic works: over 400 sheets and numerous artist’s books in which he investigated the various graphic techniques, from woodcut to engraving with the burin, etching and drypoint. 

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  centroculturalechiasso.ch   16 Jul 2020   Home set, in home, Uncategorized   Comments Off on CHIASSO, Switzerland: Alberto Giacometti: graphics on the border between art and thought, until January 10, 2021 Leggi tutto

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  midip2   12 Feb 2020   Galleries, Uncategorized   Comments Off on Galleria di prova Leggi tutto

Sponsored exhibition: Omnia vanitas

Omnia vanitas

by Antonio Guccione

Curated by Angelo Crespi

A theory of skulls for an ambitious post-modern phrenology project, between citationism and divertissement: characters from history, art and fashion are eternally immortalized through their skull. Dead, yet so alive in their essence; the soul forever gone from the carved occipital bulb, yet still present and recognizable by their tics, their quirks and their human suit.

This is the sense of the exhibition-performance that Antonio Guccione has designed for Hammer Partners, on the occasion of WopArt 2019. Presenting the collection of Vanitas as a Spoon River anthology, the well-known photographer from Milan narrates in the form of an epitaph the myths of pop culture, such as Andy Warhol, Napoleon, Frida Kahlo, Leonardo da Vinci, Dior and Salvador Dalì.

During his long career Guccione focused on the icons of the star system, becoming fashion’s official portraitist, but this time he left the living ones turning his attention to the deceased ones: in the attempt -common to all of the great artists- to exorcise death, he coated or painted its most persistent symbol, the skull, playing like a contemporary Hamlet through being and not being, photographed It and managed to distill, without any post-production intervention, the extreme relic that characterize the various icons or, in other words, that something that will represent them forever.

Guccione seems to be pronouncing the words “memento mori” -remember you have to die- with the subtle irony and lightness of his, because even departure requires style.

Exhibition sponsored by Gruppo Hammer

  midip   17 Sep 2019   Non categorizzato, Uncategorized   Comments Off on Sponsored exhibition: Omnia vanitas Leggi tutto
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